India is not only cementing its status as a global technology and innovation center, but its creative economy is also undergoing a major change. Design education is becoming a main lever for such change, with institutions like Design India Collective reinventing the ways students are trained for design careers with mentorship-driven, industry-oriented learning.

A bigger vision: India as a world design capital

The Indian design heritage - from timeless architecture and crafts to recent digital innovations - gives the country a great base from which to grow. As the need for skills like user experience, design thinking and creative problem solving grows, the emphasis is moving from purely theoretical knowledge to practical, hands-on learning.

Design India Collective is carving out a niche for itself in the changing scenario and has set its sights on being a part of the grander dream of making India a global design capital. The school, by mixing the age-old artistry with new techniques, is developing itself in line with the requirements of an ever-growing design industry.

What sets the institute apart is its emphasis on experiential learning. Students are exposed to real-world design practices through industry expert sessions, workshops, exhibitions, and hands-on studio projects.

From product design to visual communication, the curriculum spans multiple disciplines, helping students build portfolios that reflect both creativity and practical application—key factors in competitive admissions.

‘85 Portfolio Possibilities’: A structured edge

A standout feature of the institute is its “85 Portfolio Possibilities Framework,” designed to help students explore diverse design domains while building strong, differentiated portfolios. This approach allows students to identify their creative strengths and stand out in highly competitive selection processes.

Results and expansion plans

Students have gained admission to top design colleges in india and abroad, frequently with scholarships. The focus stays on long-term career readiness, not quick exam results.

Genius Nestlings began in 2009 and changed its name to design India Collective in 2023. The new model centers on design education. Next steps include growing into Tier 2 and tier 3 cities, launching an online platform, and working with industry and universities across the country.

Designing for impact

As India's innovation system expands, design is no longer just a career path - it's a tool for real-world solutions. Design India Collective supports ethical, human-centered design thinking.

When creativity and problem-solving matter more than rote learning, these efforts show how education is shifting. Students aren't just entering industries, they're building them from within.

The School of design at MIT Institute of design has launched D'KODE 2026 with a two-day Typography Summit, March 28 - 29 - bringing together leading voices from India and abroad to explore the evolving role of typography in design, communication, and digital interfaces.

Leading the discussions are Gerri Canonico, a US-based typographer, Sarang Kulkarni who is from India and noopur Datye, a digital font specialist. The main topics of conversation are variable fonts, AI- type design and inclusive typography - reshaping visual messaging with the help of technology.

Besides that, workshops on glyphs and FontForge enable the participants to create fonts. Moreover, the course covers branding and UI/UX scenarios from the real world. As a matter of fact, design sprints are the live sessions where people get the chance to use the new typefaces in practice. On the other hand, the exhibitions display experimental works along with other side features.

By the way, typography has been impacted heavily by the national Education Policy 2020. Design colleges are giving great importance to interdisciplinary training and technological skills. What used to be a somewhat insignificant skill is now a major factor in global digital markets.

Along with D'KODE 2026, we see how AI and cross-cultural interaction are making new skills necessary. Typography is the medium through which we read, feel and tell stories. Apart from appearance, it is about providing access, giving a great experience, and communicating effectively, which are the needs of today's creative world.

With the National Education Policy (NEP) setting the main theme of overall educational reforms and also reforms in professional courses such as engineering and pharmacy, the Council of Architecture (CoA) has come up with major changes in the architecture curriculum.

These revised regulations will be operative from the academic session 202627 and will bring major alterations to the structure of the Bachelor of Architecture programme.

According to sources, CoA usually reviews and revises the academic framework after the completion of a full cycle of 10 semesters. After the policy of 2020 came into effect, CoA brought out a revised framework focusing more on modern technology, practical exposure, and skill-based learning.

The new program structure, which is a five-year programme spread over ten semesters, will demand students to acquire a total of 276 credits for completion. To meet this, students will have to earn between 26 and 30 credits every semester. Among the most significant changes introduced is the passing criteria. Students will be mandated to obtain at least 50 percent marks in each component of every subject to pass. Previously, the passing criteria were different for various subjects, but the new rule aims at standardizing the evaluation system.

Keeping up with the rapid changes in technology, the updated syllabus will offer a separate course in Artificial Intelligence (AI). This will become a mandatory subject for all architecture students, reflecting the dependence of design and planning on digitally-enabled tools.

The entire ninth semester will be devoted to internship or hands-on training, a noteworthy piece of the overhaul, helping students learn from work situations. Besides engaging in hands-on training, students finishing the program will be tasked to do a Capstone Project where they will showcase a thoroughly researched and well thought out design.

Moreover, students will no longer write two separate question papers but only one that carries 50 marks. These changes are likely to help in making architecture a more hands-on discipline and being in line with international norms.

Team Nexus AI from Sona College of Technology, Salem, that developed an artificial intelligence-based platform that simplifies industrial PLC programming, won the Gold Cup at the Mitsubishi Electric Cup - 6th Edition (2026) among 300 entries.

The contest sought participating teams to design fully functional automation solutions using Mitsubishi Electric Factory Automation technologies aligned with its e-F@ctory concept.

AI Platform for Industrial Automation

Team Nexus AI-led by Ms Tharanika K, and comprising BTech IIIrd year batchmates Ms Tharana A S, Mr Vijay B and Mr Seralathan R-worked on "Simplifying Industrial PLC Programming using Artificial Intelligence." The team developed a system that allows users to describe machine control logic in natural language, which is then automatically converted into Structured Text code-a modern alternative to conventional ladder logic programming.

The team was selected from nearly 300 national entries in the Mitsubishi Electric competition and underwent multiple stages of technical evaluation supported by Mitsubishi Electric mentors and trainers.

Over months of development, the students built a robust AI platform capable of generating executable control programs for Mitsubishi Electric IQ-F (FX5U) PLCs. The innovation was validated through a fully operational Automated Dip Dyeing Machine, powered entirely by AI-generated control code produced by the Nexus AI platform and executed using Mitsubishi Electric industrial automation hardware including PLCs, HMIs, servo motors and FA components.

At the final round held at the MIT Pune campus, the system underwent intensive evaluation by an eight-member jury comprising automation programmers, ladder-logic specialists and Mitsubishi Electric R&D engineers. The jury examined the platform's architecture, logic integrity, safety framework and scalability. Senior leadership, including Atsushi Takase, Managing Director of Mitsubishi Electric India, had in- depth discussions with the team and conveyed their keenness for possible partnership in the future.

After going through nearly 150 days of rigorous product development along with their studies, Team Nexus AI was announced the winner of the Gold Cup and they received a cash prize of Rs.1 00 000.

Expressing his pleasure to the students, Takase said, "I am very happy to see Team Nexus AI winning the competition. The team has successfully shown not only excellent technical skills but also creativity and innovative thinking elements throughout the competition."

The winning team Nexus AI will be the face of Mitsubishi Electric India at the Global Mitsubishi Electric Factory Automation (MECA) Competition to be held in September 2026.

Praising the team, Chocko Valliappa, Vice Chairman, Sona College of Technology said, "Our faculty's research inclination is creating a path of innovation grounded on strong fundamental knowledge." This is the third national industry competition win by Sona student teams in recent months - after Capgemini and Google Gemini - reflecting the focused mentoring ecosystem at the institution."

The team acknowledged the guidance of its faculty mentor Dr. D. Prasad, the support of a seven-member backend peer group, and the encouragement received from Sona's EEE alumni and institutional leadership.

It may be recalled that Team Nexus AI team member Vijay B had won the Rs 2.5 lakh Student Champion Award in the Capgemini Engineering Brand Quest 2025 beating

2,50,000 competitors from engineering and management institutions.

OpenAI has announced Arjun Gupta as its first Solutions Architect in India, which indicates a more direct and local effort to strengthen the founders who create with GPT models, multimodal systems and agent based AI.

Gupta, who was a Co, Founder and CTO at AuraML, posted the news on LinkedIn that he has joined OpenAI's go, to, market (GTM) team and will help founders go from early prototypes to production, scale deployments. His appointment comes just as India is seeing an upsurge in demand for first hand architectural support, and the AI adoption is progressing beyond the experimental towards the enterprise grade implementation.

"I'm starting a new chapter. I've joined OpenAI as the first Solutions Architect in India (GTM team)," Gupta wrote.

From startup founder to OpenAI's India architect

Before OpenAI, Gupta ran AuraML, which was a generative robotics simulation and synthetic data startup that raised $1.23 million in funding and partnered with companies including NVIDIA, Amazon Web Services, and Google Cloud. He has worked at the intersection of cloud infrastructure, machine learning model training, and AI pipeline deployment.

Gupta shared that he has been deeply involved in all aspects of AI system building, from scaling infrastructure and model training to solution delivery for actual customers.

Regarding the AI revolution in India, he expressed that the nation is on the brink of a major transformation and its technical talent, entrepreneurial drive, and access to better tools were some of the factors that gave it an edge.

OpenAI expands enterprise push

Gupta's appointment is one of the many steps OpenAI is taking to expand its enterprise focus. The company is engaging with large consulting firms for its most advanced AI alliance.

Consultants from leading firms such as Boston Consulting Group, McKinsey & Company, Accenture and Capgemini make up the core of the consulting giant part of the initiative.

OpenAI's engineers who are always on the ground will collaborate with consulting firms under this program to assist businesses in implementing AI agents in their essential operations such as software development, sales, and customer support.

In the heated enterprise AI competition, OpenAI is battling not only startups like Anthropic but also tech giants such as Google, all of whom are marketing AI solutions to large organizations. OpenAI has indicated that its strategy allows companies to continue using their current systems while at the same time working more closely with its research teams.

In a major boost to digital creativity and AI learning, Adobe has announced free access to its premium creative and productivity tools for Indian students. The initiative, launched in collaboration with the Government of India, will make industry-standard applications available to accredited higher education institutions nationwide.

Under the programme, students will get complimentary access to popular tools including Photoshop, Acrobat and Firefly along with more than 20 desktop, mobile and web apps from the Creative Cloud ecosystem. These include Illustrator, Premiere, Express and Lightroom — software widely used in media, design, filmmaking and marketing industries.

AI-first certifications with industry partnership

The company has also partnered with NASSCOM FutureSkills Prime to provide AI-focused certification programmes. Along with free software access, students will receive structured training to learn how to practically use generative AI tools in real-world workflows.

The scheme will initially benefit students from 15,000 schools and 500 colleges that host Content Creator Labs — a government initiative introduced in the Union Budget 2026 to promote digital skills and creative entrepreneurship.

What students will get

Eligible students will receive:

  • Access to 20+ Creative Cloud applications

  • Mobile and web versions of key apps

  • 100 GB cloud storage

  • Standard fair-use credits

  • 25 premium generative AI credits per month

To activate the offer, students must have a Federated ID. If not available, Adobe will send a VIP enrollment invitation which must be accepted before account setup.

Not the same as paid plan

The company clarified that this “Creative Cloud Pro India for HED” package differs from its regular student subscription plan, which costs ₹400 for the first month and ₹2,714 thereafter. Some premium features available in Creative Cloud Pro Plus are not included in the free version.

The offer will be reviewed annually, and Adobe retains the right to modify or discontinue it in the future.

Students of the Department of Architecture at the Faculty of Architecture & Ekistics, Jamia Millia Islamia, presented their academic work at Bharat Parv 2026, a national cultural festival held during Republic Day celebrations at the ancient Red Fort. The exhibition was organized by the Council of Architecture with the dual purpose of promoting architectural education and enhancing public awareness of India's architectural heritage.

The participation formed part of the “Srujan 2.0” exhibition, where architecture colleges from across the country displayed student research and design innovations. JMI students presented detailed building construction and structural models created by B.Arch students. During the event, the main highlight was the documentary study of the Bhimakali Temple, a very good example of traditional Himalayan temple architecture that also shows its connection to Indias knowledge systems.

Architectural Heritage of India was the main theme of the exhibition. Along with it, there were topics like the use of local materials and village knowledge for building and the evolution of design in the development of cities. One of the major attractions of the CoA pavilion was the way the exhibition linked the traditional temple design principles with the contemporary structural knowledge and thus became a big hit with the visitors.

It was remarked by faculty members that Bharat Parv participation gives architecture students a national platform and is a bridge between their academic learning and public engagement. The display also serves as a source of inspiration for school students and young aspirants to choose architecture as a profession by showing them the possibilities that lie outside of conventional engineering and design paths.

Before this, the Council of Architecture held the Srujan exhibition at Bharat Parv 2025. It was very well received by both the professionals and the general public. Building on that success, the Srujan 2.0 edition in 2026, an extended version, not only attracted more institutions but also more people came forward to interact.

Jamia Millia Islamia was among the participants at last year's edition. The university's ongoing participation is a reflection of its deepening commitment to heritage research, conservation awareness, and sustainable architecture education in India.

As the attention to culturally grounded and climate responsive design keeps rising, events such as Bharat Parv are becoming important platforms that are connecting the world of academics, policymakers, and people thus, increasing understanding of how architecture can contribute to the future development of cities and the preservation of heritage in India.

More Articles ...