In a historic move, the Film and Television Institute of India (FTII), Pune has been accorded the status of a 'Deemed University' under the 'distinct category' by the Central Government today. The step is being celebrated as a major leap forward for one of India's leading film and television training institutions. In addition to the FTII, the Satyajit Ray Film and Television Institute (SRFTI), Kolkata has also been conferred with the deemed-to-be university status, as per the Ministry of Education (MoE). FTII, which operates under the Ministry of Information and Broadcasting, is both nationally and globally acclaimed for its work in film and television education. Although the proposal to make FTII a centre of excellence was first mooted by former Information and Broadcasting Minister Prakash Javadekar in 2014, the proposal failed to take shape then. Nevertheless, recent efforts have finally been realised.

The procedure to accord FTII Deemed University status was initiated a few months back when present Information and Broadcasting Minister Ashwini Vaishnaw had visited the campus. On his visit, he had extensive discussions with students and teachers, taking their suggestions on the proposal.

The proposal was then considered by the MoE. In July 2024, an expert committee was appointed by the University Grants Commission (UGC) to assess whether the institute is ready for the new status or not. Considering the report from the committee, the UGC recommended to the Ministry of Education that FTII be given the status of a Deemed University on the condition that some specified conditions be fulfilled within three years.

According to this, FTII submitted its compliance report on 17 January, 2025. The report was examined by the expert committee and its recommendations, which were approved in the 588th meeting of UGC held on March 13, 2025. With these developments, on April 22, 2025, the Ministry of Education issued a circular formally announcing FTII as a Deemed University.

Both institutions will introduce doctoral, research and innovative academic programmes. They will also be a part of NIRF Rankings and also adopt the Academic Bank of Credits (ABC). In line with the vision of National Education Policy (NEP), 2020, this historic move will open doors for more autonomy, innovation and academic excellence in education in film and media," a top MoE official said.

This prestigious recognition is expected to further elevate FTII’s academic autonomy, allowing it to design its own curriculum, award degrees, and expand its global collaborations marking a new chapter in the institute’s celebrated legacy.

Whereas other medical students might envision a lifetime of surgeries and stethoscopes, some have carved out a significantly different path—directly to the world of film. Those actors, who initially started off to cure with medicine, now touch millions through the world of cinema. Their stories are of audacious career switching and also of how following one's passion can lead one as far as stardom.

Mohan Agashe – A Doctor Who Grasped Mind and Cinema

Before becoming a celebrated actor, Mohan Agashe had his roots in psychiatry. A postgraduate from the BJ Medical College, Pune, he not only practiced medicine but also dabbled in theatre with equal fervour. His knowledge of medicine imparted an unforgettable depth to his characters in Gandhi, Kaun, and Dr. Babasaheb Ambedkar. Agashe was also involved in policymaking for mental health, which distinguishes him as a mix of intelligence and creative ability. His career is an example of how even a scientific mind can thrive in the creative sector.

Sai Pallavi – From Medical Classrooms to Cinematic Success

Known for her natural looks and expressive performances, Sai Pallavi is also a certified doctor. She is an MBBS graduate from Tbilisi State Medical University in Georgia. Even while she was studying medicine, she had a remarkable debut as an actor in Premam (2015), and she won hearts across India. While she did not become a doctor as a career, her educational journey is one to aspire to. Today, Sai Pallavi is proof that it can be a high achiever in academics and yet have a passion for the world of cinema.

From dissecting cadavers to reading out dialogues, these MBBS students-actors show us that career switches can be phenomenal. Their bold choices keep inspiring young minds to pursue their actual calling, no matter how different it may be from the original plan.

The short four-episode web series Adolescence, which premiered on March 13, has already become a hot topic, with heated debates surrounding the widening gap between parents and their adolescent children in the digital era. Lauded for the frank depiction of the lacunae in parenting in a young teenager's adolescence, Adolescence illuminates the extent to which open access to the internet can affect a teenager's mental and emotional health. Although social media sites have implemented safety measures such as content filters and reporting mechanisms, these can only do so much, shifting the responsibility to parents and educators to lead teens toward proper online behavior.

When we interviewed experts, parents, and teens who had seen the series, their observations illuminated the warning signs parents should look out for—and what to do about them.

Bidushi Khaitan, 16, from Kolkata, was upset about how bullying and exclusion have been represented in the show. "Exclusion, making jokes about someone, or the manner of speech—these are all things that occur, but telling a teacher hardly ever makes anything change," she says. "There's no actual discussion on how to handle it." Arushi Sen, 17, of Delhi, said the same thing, but with an emphasis on the psychological impact bullying has, particularly on girls. "Girls bully in more indirect ways—by excluding people socially, making snide comments, or manipulating. And social media only makes things worse," she says.

The series also explores the way microaggressions from one's own family can define the perception that a teenager has of himself and others. Avik Saha, 19, of Mumbai, refers to an instance in Adolescence where the main character, Jamie, internalizes his dad's microaggressions, and thinks that strength lies in dominance. "That's how it begins. If you own up to being bullied, you're regarded as weak, and that pushes you further down the power chain," he says.

But it's not only the home life that influences teens—peer groups have an even greater influence. As independent psychologist Debarati Banerjee in Kolkata says, "No matter how much parents try to break into the series, something always feels incomplete.". The actual problem is that we have limited control over what our children get exposed to—whether at school, among peers, or through the internet." Arpitha Mirchandani, a senior psychologist who works in the field of adolescence, weighs in that the issue isn't specific to urban India. "Bullying and online intimidation are occurring across the board, even in villages, due to easy access to unfiltered material on the net," she informs.

Parents themselves also begin to recognize that the life of their child is influenced by digital forces largely beyond their reach. Shruti Bhattacharjee, a parent from Kolkata, acknowledges the virtual world youth inhabit is a world unfamiliar to most adults. "We do not always grasp the digital platforms they inhabit but can observe warning signs—cyberbullying, toxic masculinity, and the like—in school," she remarks. “We need to listen to teachers and be more open about addressing these issues.”

The series also brings to light several harmful online subcultures that are growing in influence. For example, Adolescence introduces viewers to incel culture, a group of men who describe themselves as “involuntary celibates” and often blame women for their inability to form romantic relationships. This subculture is largely driven by internet forums where members express their anger and espouse misogynist attitudes. Radicalization online is also a problem, since vulnerable teenagers such as Jamie can get sucked into extremist groups. "These web subcultures can lead teens down perilous paths, from sexual inadequacy to racial and religious bigotry," says Mirchandani.

The manosphere—a catch-all for internet communities that disseminate anti-feminist and misogynistic ideology—is yet another poisonous influence that Adolescence points out. These communities have the potential to fundamentally warp a young man's view of gender roles and relationships. Echo chambers, where teenagers only communicate with similar-minded peers who affirm perilous ideas, isolate them even further from larger, more well-rounded viewpoints. The show also explores toxic masculinity, how boys such as Jamie tend to be expected to suppress their feelings and embrace hypermasculine qualities, especially if they have figures such as Jamie's dad who believe that strength equals dominance.

With the digital universe increasingly being a powerful force shaping the lives of teenagers, it is evident that shutting down internet access altogether isn't the answer. In truth, specialists advise that this approach could have opposite effects, producing secrecy and rebelliousness. "Parents need to educate teens on how to use the internet responsibly," adds Archana Sagar, independent child and adolescent psychologist from Bangalore. She recalls that "confining screen time is valuable, but also essential to familiarize teens on how to sieve content, spot misinformation, and make wise judgments online."

There are a number of measures parents can take to enable teens to flourish in the age of technology. They include promoting self-reflection through practices such as journaling, ensuring teens reflect before they post or comment online, and giving them space to think about things and come up with their own responses. "It's also crucial to be aware of what your child is exposed to from an early age—whether it's the shows or cartoons they watch," adds Sagar. She further emphasizes the need to provide children with life skills, as opposed to mere knowledge, and to remain sensitive to the evolving digital landscape.

Ultimately, Adolescence is a wake-up call for parents and teachers alike. As the series dramatically shows, teens' problems today are not limited to the offline space; they are strongly linked with their experiences in the online world. "Parents realize it only when many kids become addicted to social media and gaming. They turn inward and suffer from anxiety, depression, or even avoid going to school. Unfortunately, many parents miss these warning signs," warns Sagar. The main point is simple: Parents need to become active participants in learning about the online world children live in and give them the guidance and support they need to safely navigate it.

Bollywood actor Bhumi Pednekar has put another feather in her cap by finishing a course on Leadership, Global Policy, and Life at the Harvard Kennedy School. She recently posted pictures from her stint at Harvard on social media.

Bhumi captioned the post, "Going back to school was fun and so challenging. Math is still not my thing." She also provided a description for each of the photos. The actor went on to write, "Leadership, Global Policy and Life @harvardkennedyschool #YoungGlobalLeader Learnt from the best with the best @worldeconomicforum.

  1. Got a certificate acknowledging our completion of the course.
  2. Picture of me with the certificate.".
  3. Had to take a selfie after the most inspiring session with a fellow YGL @jacindaardern, what an inspiration.
  4. Our HKS 2025 class always hyping and cheering for one another
  5. Harvard Ji and me. Touch his shoes for good luck :)

The actor also posted photos with her classmates. The caption continued, "6. Harvard is haunted, it's actually magical. Built in 1636, kuch toh hoga hi.". 7.Me in front of the haunted library but also probably the oldest and largest ever constructed. It's amazing. 8. College students did some pretty silly things even in the 1900's. 9. Had the most amazing class on climate action with @therebeccahenderson. 10. Also listened to David Rubinstein and Larry Summers talk over lunch. They talked about what they overcame and how they prevailed over them. 11.one of my favourite lectures. Professor Hausmann is 12. Students do this every year prior to their finals. It's tradition now. 13.One of the numerous videos and photos taken by the cohort. 14.Our official class photo."

True crime is no stranger to cold cases, but BBC's latest documentary takes audiences deep into the depths of a case that flummoxed detectives for years: a murder by stabbing in a brothel, a nowhere murder weapon, and DNA that led to blind alleys.

Entitled "Blood, Lies, and DNA: The Brothel Murder Mystery," the electrifying documentary plunges into a case in which forensic science proved to be the greatest obstacle and the solution. The documentary follows detectives as they arrive at the scene of the crime—a corpse, a body of blood, but no obvious suspect. The weapon is nowhere to be found, and the forensic evidence opens up more questions than answers. The case seemed headed for the cold files.

In archival footage, dramatic reenactments, and interviews with experts, the documentary reveals how changing forensic science revitalized the case. Behind the scenes with detectives as they reassemble evidence from cutting-edge DNA analysis, trace evidence recovery, and forensic genealogy—procedures that have solved some of the world's most notorious cold cases.

Adding to the suspense are the enigmatic individuals who could crack the case. The documentary uncovers the underworld of the brothel, where witnesses are evasive and reluctant to speak, and the history of the victim could be far more complicated than initially thought. The filmmakers mix suspense and science, creating an entertaining watch that keeps viewers gripping the edge of their seats.

With forensic advances ongoing to extend the limits of criminal investigations, might the documentary assist in bringing the case closer to resolution? As history teaches us, the truth has a way of surfacing—even years after a crime has been committed.

The highly anticipated 97th Academy Awards has finally announced its winners, adding another page to the history of cinema at the Dolby Theatre in Hollywood. While the world's largest stars walked the red carpet, the evening lived up to its reputation for drama, glamour, and history-making moments. The Oscars 2025 celebrated not only the best works in cinema but also broke age-old barriers with history-making wins.

Anora bagged all the top awards this year taking home 5out of 6 the categories it received a nomination for, such as Best Picture, Best Director, Best Original Screenplay, Best Editing and Best Actress for Mikey Madison, solidifying the dominance of the film. Meanwhile, Adrien Brody won another feather in his cap as Best Actor for The Brutalist, and Paul Tazewell became the first Black man to win Best Costume Design for his efforts on Wicked. Latvia also won a milestone moment when it took home its first-ever Oscar for Best Animated Feature Film with Flow.

With emotional acceptance speeches, upset victories, and a few surprises along the way, the 2025 Oscars showed that the biggest night in Hollywood is still full of surprises, magic, and tales to be remembered for years to come.

Below is list of this year's winners in every category -

Best Picture:

Anora by Alex Coco, Samantha Quan and Sean Baker

Best Director

Sean Baker for Anora

Best Actor in a leading role

Adrien Brody for THE BRUTALIST

Best Actress in a leading role

Mikey Madison for Anora

Best Cinematography

Lol Crawley for THE BRUTALIST

Best Production Design

Nathan Crowley (Production Design) and Lee Sandales (Set Decoration) for Wicked

Best Adapted Screenplay

Peter Straughan for Conclave

Best Sound

Gareth John, Richard King, Ron Bartlett and Doug Hemphill for Dune: Part Two

Best Animated Short Film

Shirin Sohani and Hossein Molayemi for IN THE SHADOW OF THE CYPRESS

Best Live Action Short Film

Victoria Warmerdam and Trent for I'M NOT A ROBOT

Best Editing

Sean Baker for Anora

Best Original Score

Daniel Blumberg for THE BRUTALIST

Best Original Song

Clément Ducol, Camille and Jacques Audiard for the song El Mal from EMILIA PÉREZ

Best Supporting Actor

Kieran Culkin for 'A Real Pain'

Best Supporting Actress

Zoe Saldaña for EMILIA PÉREZ

(Zoe Saldaña is the first American of Dominican descent to win an Oscar)

Best Visual Effects

Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer for Dune: Part Two

Best Original Screenplay

Sean Baker for Anora

Best Documentary Short Film

Molly O'Brien and Lisa Remington for THE ONLY GIRL IN THE ORCHESTRA

Best Documentary Feature Film

Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham for NO OTHER LAND

Best International Feature Film

I'M STILL HERE from Brazil directed by Walter Salles

Best Costume Design

Paul Tazewell for Wicked

(Paul Tazewell is the first African American to achieve Best Costume Design at Academy Awards)

Best Makeup and Hairstyling

Pierre-Oliver Persin, Stephanie Guillon and Marilyne Scarselli for The Substance

Best Animated Feature Film

FLOW (Latvia's first Oscar)

Following the publication of a cartoon depicting Prime Minister Narendra Modi with his hands in handcuffs, the Tamil magazine Vikatan had its website shut. The cartoon, published on February 10 in Vikatan's online journal Vikatan Plus, was a critique of the Indian government's handling of the deportation and handcuffing of undocumented Indian citizens from the United States.

Cartoon Is Opposed by Tamil Nadu BJP, and CM Stalin Denounces Website Block

The cartoon was criticized by the Tamil Nadu BJP, who called it "derogatory" and "insulting" to the prime minister. However, the alleged website restriction was denounced by Chief Minister M.K. Stalin as an assault on journalistic freedom. According to Stalin, the administration would take the necessary steps to prevent the media from being silenced.

Vikatan Reiterates His Commitment to Free Speech

Vikatan reiterated its support for free speech and announced that it is seeking additional information from the authorities regarding the blocking of the site. S. Balasubramanian, editor of the magazine, said that the cartoon was a genuine form of criticism, and that the magazine would stand by the values of free expression.

Freedom of Speech and Censorship Issues

The issue of censorship and the limits of free expression in India has also been brought to the fore by the incident. The blocking of the website has been viewed as an effort to silence critics and censor the press. The episode has caused a heated discussion on social media, with demands for stronger safeguarding of journalistic freedom and freedom of expression

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